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芳心封鎖

芳心封鎖HD中字

主演:
Gila,Almagor  
更新:
2024-05-11 15:08:05
年份:
1969
类型:
剧情 
地区:
以色列
语言:
希伯来语
导演:
Gilberto,Tofano  
剧情:
The issue of War widow representation in Israeli cinema is one of the most complex for the local ind【详细】
播放资源 
  • Ⅷ号线
  • XVI号线
芳心封鎖同类型 
    芳心封鎖-剧情简介 
    新先锋影院www.xf456.cc疯狂搜刮了整个资源网以狂风扫落叶之势,风吹闪电之速,火急火燎的迅速更新了电影《芳心封鎖》,根据可靠信息搜集整理电影芳心封鎖出自宝地以色列,初之登场时间为1969,俏片芳心封鎖方力邀了Gila,Almagor等诸多6B的资深优质好演员加入而倾力助阵得到的一部好片片,这部好片片芳心封鎖的语制式为:粤语,新先锋影院扒上扒下上下其手的扒来了芳心封鎖Ⅷ号线XVI号线高清无格格儿720P and 1080P and 1280P等多种高清规格的免费在线播放好资源供各位观爷鉴赏,到观佬爷到来之际新先锋影院更新关于芳心封鎖的状态为:HD中字!如果观爷觉得本站深得观佬爷的亲睐,记往网址还要分享一下哦!
    芳心封鎖的剧情主要讲述了:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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