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关于在短时间内的某几个人的经过手机视频下载

关于在短时间内的某几个人的经过手机视频下载HD

主演:
内详  
更新:
2021-05-14 22:54:47
年份:
1959
类型:
剧情 
地区:
法国
语言:
法语
导演:
居伊·德波  
剧情:
VOICE1(凸型 “professionalannouncer”):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoi【详细】
播放资源 
  • 星空百度云
  • 百度云M3
  • CKM云
关于在短时间内的某几个人的经过手机视频下载同类型 
    关于在短时间内的某几个人的经过手机视频下载-手机视频下载剧情简介 
    新先锋影院www.xf456.cc疯狂搜刮了整个资源网以狂风扫落叶之势,风吹闪电之速,火急火燎的迅速更新了电影《关于在短时间内的某几个人的经过手机视频下载》,根据可靠信息搜集整理电影关于在短时间内的某几个人的经过手机视频下载出自宝地法国,初之登场时间为1959,俏片关于在短时间内的某几个人的经过手机视频下载方力邀了内详等诸多6B的资深优质好演员加入而倾力助阵得到的一部好片片,这部好片片关于在短时间内的某几个人的经过手机视频下载的语制式为:粤语,新先锋影院扒上扒下上下其手的扒来了关于在短时间内的某几个人的经过手机视频下载星空百度云百度云M3CKM云高清无格格儿720P and 1080P and 1280P等多种高清规格的免费在线播放好资源供各位观爷鉴赏,到观佬爷到来之际新先锋影院更新关于关于在短时间内的某几个人的经过手机视频下载的状态为:HD!如果观爷觉得本站深得观佬爷的亲睐,记往网址还要分享一下哦!
    关于在短时间内的某几个人的经过手机视频下载的剧情主要讲述了:VOICE1(凸型 “professionalannouncer”):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned “subjectiveprofundity” .Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(德波,单调):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;他们的行为所带来的后果不堪重负,所有群体和个人都面临着无法预料的结果他们希望每天都PassportSforceZirlon大师烟草和订购自己的良心onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole“” whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothe ICE2:“我们的人生经历”“晚上和晚上”“ Weseekourpassage ...”配音1:被抛弃的文学作品却表现出一种无法维持在情感形态中的作用。和爱抚以及不重要​​的世界的重要性。只有混合的视觉模糊了,并且可以清晰地看到,因此它们只能达到不同的目标,只有在爱情中才能完成。语音3(年轻):。以后将不再计算中午。以后或无论在哪里都不可能。声音1:锁定了可修复闪存的HUNGAMONT地区,NARO无限时地咖啡店。 e.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization\'sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment “ordinarylife” canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:1 nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter å解释说明的社会功能和其irproducts.Onecan,相反,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2的吨Shuraih:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass\'smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedt hepathslear nedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage; everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butwewer esurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:年likeasingleinstantprolongedtothispoint, Cometoanend.Voice1:直接生活在远处的冰冻中再次出现,恰好与扇子的味觉和幻觉相吻合。Voice2:偶像的出现尚未做过的事情,认为其他人已经变老,对时间的流逝表示阿拉伯文的怀疑,它的结果是,变革性的声音圆形的诺夫斯·冯·弗雷斯特主义的精神病患者对血脂异常的压制;宜早不宜迟。这是华莱士·图森(Wallace Toussaint)的敬酒。晚上,害怕被接受,害怕被保留Voice3:? Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven\'tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-创建“” poorandfalselikethisbotchedtravelingshot.Voice3:本Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels表达自己的想法,他们的坚持促进思想。 ChTom的DickorHarryc可以快乐地表达他的奴役感,这是对日常生活自由的未婚冒险,这不仅是从历史的角度来看,而且是对我们以及当下的。 Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed受挫anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistri ctfrequentedbythelettristsintheearly1950s。
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